Unfortunately I have realised that my inflated monolith of a salary will soon be worth no more than a few million Zimbawe dollars thanks to Gordon’s recent discovery that tax and spend policies lead to an end to Tory Boom and Bust increasing inflationary pressure. So I hopped in the Lambo with Lola and hot-footed it down to London to Damien Hirst’s gallery where I was able to pick up a rather tastefully embalmed surgeon for a fraction of the cost of the real thing. I am hoping to put it on the door of my office to discourage any of the squitty juniors from coming to ask my advice.
On the way back we were passing the DCMS when I saw David Lammy deep in thought. I bet he was worrying about THIS problem-how to save the Wardington book of hours for the nation. Thinking it was a book of my hours which my secretary (no doubt jealous of Lola) had sent to Mrs Hewitt, I nearly made him an offer on the spot, but when he explained what it really was, I decided that I didn’t like the idea of opening Sana Towers to the public, so my accountant wouldn’t let me buy it.
But why don’t British museums sell some of their works of art to finance acquisitions. There are hundreds of thousands of pictures and sculptures in this country that never see the light of day. Why not pawn a few to pay for something that the curators are actually prepared to hang. Surely we don’t need to keep them all in case some junior minister wants to hang it on the wall of his grace and favour apartment to impress the chicks.
The Imperial War Museum has got the idea. They recently sold a rare Messerchmitt 163 (German)to pay for an almost unique DeHavilland DH9 (British). This sounds like a good deal especially as it looks like they may have enough parts to make 2 of the DH9s!
Maybe some of our other museums should follow suit. I’m sure this must happen on a small scale, but we never seem to get to hear of it





















